Welcome once again Coffin Hoppers! Thankfully Hurricane Sandy neither washed away nor blew us away (heh), and we still have power, so I’m back and ready to go for the last few days. I have a couple of fun posts left in me, and want to share them with you.
I mentioned a few days ago that, after writing, music is one of my great passions. Video games come a close second, though it took me years to figure out just why. The medium offers something that so few other artistic experiences afford: agency on the part of the viewer. True, sometimes that agency can be an illusion, but even then it draws the viewer/player deeper into the work itself. Games are still trying to find their identity as a medium, but there have been some sterling examples of where it could go in the future. This post is dedicated to those horror games that have found a voice.
I’m aware that some of you may not be gamers out there, so I’m going to be approaching this post from that angle, rather than solely appealing to the hardened gamers amongst us (you know who you are). I’d love to hear the viewpoints of core gamers, though: have I missed a great horror game that I should be experiencing? Please, let me know!
First, for core gamers, Amnesia and System Shock 2 just missed this list. Maybe next time. Now, my top five scary games:
5. Limbo (PC, Xbox 360, PS3). At first blush, Limbo does not seem like a scary game, and is certainly not in the same vein as the games below. It’s a 2D puzzle platformer, for starters – for you non-gamers, this means that you need to perform both well-timed jumps and must figure out certain environmental clues to avoid death and progress to the next section of the game.
Limbo is an indie game, which means that it doesn’t have the cash or the horsepower to go toe-to-toe with the major releases below. It still manages to make this list by making up for its technical deficiencies with a charm and atmosphere that is difficult to surpass. The game also manages to tell a story without a bit of dialogue, spoken or written. As the story progresses, you learn that this is a dead boy on the very edge of hell, chasing after his sister, who may or may not be dead herself. The environment also tells of subplots, such as a place where the children have turned upon one another. The whole thing is a very spooky affair, and well worth your time and frustration with solving the puzzles. Continue reading