Hey regular (and new) readers, good to be back. As I said last week, had a minor health setback, but am ready to work once again. Word to the wise, though: avoid swimmers ear if at all possible. Shit is deadly serious. Now I’ve had a kidney stone so I can’t say it’s the worst pain I’ve ever encountered (although that was over in like an hour), but the words “agony”, “torment”, and “suffering” all easily float to the top of the mind. I’m talking throbbing from neck to temple, the kind of stuff that makes you curl up in the fetal position and pray for death. Conversation was, quite simply, beyond me for a day or two. Real one-star experience, if you know what I mean. F–, would not recommend.
But hey, I’m doing much better today and can actually hear out of that ear, which was a pretty touch-and-go proposition for a few days. Now to ramp my activity back up to pre-pain days.
Anyway, moving on to this week’s (or should I say last week’s) topic, a few words on why I’m so fascinated with the past and historical preservation. One of the prevalent themes in my photography – almost a quest, if you will – is seeking out remnants of the vanished past, bits of detritus and ruins that remain from a long-gone world. This is not necessarily a matter of nostalgia, though that can provide a fun boost to such searches. It’s more about exploration and context and, consequently, what those can mean for your emotional landscape.
Take the photo below as an example. This is a shot of downtown Harrisonburg, Virginia during a holiday season in the late 50s or early 60s. This was an era where “downtown” really meant something, before malls came along and wrecked that paradigm.
I came along too late for this era, by far; this was the world of my mother’s childhood, one that she’s described in glowing terms but which I couldn’t quite grasp until I saw this photograph. The reality pictured here haunts me as I consider what such a world looked like, felt like, smelled like. By the time I arrived on the scene the department store in the center of the frame had alreayd entered its decline phase, soon to close forever and live only in memory and photographs like this one. I never knew a world with that JOE shop, or the clothing store next to it. My memories of downtown are seedier, more ramshackle, a place that you visited only when you absolutely needed to grab one of the famous Jesses’ Hot Dogs.
Now even that world has vanished, replaced by a movement to attempt to revitalize the downtown area (but which is still falling short due to a combination of short-sightedness and the times having moved on from such mid-00s trifles). Here is a photo of the place from Christmas Day 2014. The big gray building on the right, a public school administrative building, is what remains of the department store above. I can’t say for certain whether the buildings to the left are the remains of those old stores. They don’t appear to be, but much can change in 50 years, including facades.
This is where context is so important. The place looks sparse and utilitarian, even on Christmas Day, with little more than the modest wreaths to even indicate the season. The photo by itself might not spark much feeling if you didn’t look at that one above, didn’t know that this place once thrummed with its own vibrant sense of life. With that in mind, you can imagine those angels covering the two windows of the school building, of that display in the window above the entrance way. There’s an ache to the place, a bittersweet emotion that’s hard to define.
Historical preservation becomes near and dear to my heart where this emotion crosses with historical relevancy. It’s about holding on to the floating ties of a vanished world, about offering context to the world around you. I’m continually shocked and amazed to discover strange realities floating just out of our mind’s eye, waiting to spring to life; the home that was once a convenience store, the general store converted to a restaurant. The lives that once intersected at that location matter, and it matters that we are aware of that convergence.
Now you certainly can’t save everything. I’m also a believer in change and progress, and sometimes it’s truly not worth the time or effort to save any hint of, say, a hot dog stand down the street. But we can save photographs from that time and us amateur archaeologists or whatever you want to call us can seek out the remains that may still stand.
This is why I photograph the places that I do. It’s why I think it’s important to photograph the detritus of places like the General Lee Motor Court, so that we can not only revisit places that we might have once known and get that hit of nostalgia, but also to contextualize our ever-evolving world. The ghosts of the past are all around us. We need to not only notice them, but reach out and grab hold of them, even if it’s simply capturing an image. Without that context, we can easily lose sight of just how our own world can vanish at any moment.
On another note, expect a status update on my woefully-behind-schedule novel on Friday, and next week I’ll be back to talk about our upcoming trip to Culpeper, Virginia and what it means to me to be on the open road. See you again soon.
It’s no secret that Stephen King is one of my biggest influences, so I suppose it’s appropriate that he’s made me re-think things. I follow King on Twitter and have been enjoying his tweets about Molly, aka the Thing of Evil. They’ve been great as a fan and, more importantly as an author, in that they made me re-assess my interactions with current and potential readers.
Looking back, this site suffers from the lack of a personal touch. In those rare times where I’ve put the focus on something other than my fiction or the act of writing itself, it’s been to talk about myself in relation to the craft. This includes writing about influences, detailing personal development within the craft itself, and other writing-related topics. I’ve kept you at arms length. Now I’ve never been a “look at me” kind of person, owing to some negative early experiences, and I tend to think that stories should speak for themselves, but I also like to get glimpses into some of my favorite authors’ lives. So, I figured, why not open up a bit, share some things, especially when they intersect with my fiction?
You can expect a blend of slice-of-life and status posts, but I also want to talk about the sights and scenery of the Shenandoah Valley, especially as they relate to locations in Came to Believe and the other forthcoming books in the series. This is not so removed from my personal life as it first appears, as I grew up in the Valley and feel much of its history in my bones; I didn’t appreciate the place growing up, but these days it’s clear just how much it’s shaped and informed my worldview, for better or worse.
This week we’ll start with the very first scene of Came to Believe.
“I said, ‘where are we’?” Her voice had gotten a little higher this time, with a hint of panic at the edges.
Answer her, his weak side urged, but still he said nothing. He switched off the headlights and slowed to a crawl, studying the houses that lined the street. The neighborhood backed up to Purcell Park, with its towering oaks, baseball diamonds, and jungle gyms. The park was his destination, and while it might seem suspect to take a teenaged hooker there for business, he had few remaining options for such an encounter.
Here we meet Dean Rohrer, a dentist with a penchant for prostitutes who is taking what is to be his last “pleasure cruise” into Purcell Park, a sprawling blend of multi-purpose fields, picnic shelters, and playgrounds located near the heart of Harrisonburg, Virginia. The park opened in 1954 and is home to a “Kid’s Castle” that was installed sometime in the 80s and was likely part of the reason I went there so often, typically as part of group outings.
My memories of these outings are somewhat hazy, though they often involved picnics, baseball, and, of course, said Kids Castle. There may also have been a girl involved, but that memory is hazy at best.
I can’t speak for other kids who used that Castle, but it sure put the fear of tight spaces into my heart. I was never a small kid, in weight or height, so it was always a snug fit at best, “age-appropriate clearance” or not. As a result, I didn’t spend a ton of time in the castle itself. My time was better spent roaming through the emptier back fields and trails, stopping for a softball game here or a baseball game there; mostly, however, I wanted to soak in the isolation of the place. What can I say? I was an only child and used to solitude. I loved to break away from the group and wander through the empty spaces.
This sense of solitude and peace, more than anything else, is what drove me to select Purcell for the book. Sure, I could have gone with Hillandale Park, where I was offered my first cigarettes and most definitely had an encounter or two with a girl, but therein lie the problem: I had imbued the place with such a sense of sleaze over the years that it felt too obvious, too dangerous. I preferred the idea of him “corrupting” a location, as it would also offer the opportunity to “redeem” it in the future.
Ultimately, this is all subjective and down to my personal experience. I’m sure a lot of people had quite different experiences with the park in question, but I needed to operate on this level to get the appropriate emotional tone.
As a footnote, I revisited the place during the early drafting stages. As always, everything looked smaller, especially that Castle, but the memories came flooding back. I was also dismayed to see that things had decayed quite a bit, but there’s a revival underway for the place, which warms my heart. So much of Harrisonburg’s history is vanishing in the name of progress that it’s good to see some preservation efforts. Let’s hope it’s enough.
Oh, one more thing before I go. On November 7th, I’ll be participating in the Extra Life gaming marathon to raise money for the University of Virginia Children’s Hospital, and your donations are greatly appreciated. I plan to stream at least some of the marathon, where applicable, at http://www.twitch.tv/workingdogv1. I’ll be posting a schedule in the coming days. In the meantime, I’d be ever so grateful if you’re able to donate to the cause. Even $1 will help. You can donate by going to my Extra Life page. If you’re interested in participating, I can also answer any questions you might have and point you in the right direction. Thanks in advance to everyone who helps to make this event a successful one.
Next week I’ll talk a little about Halloween in the Shenandoah Valley; specifically, what that was like when I was growing up. Hope to see you then.
Hello one and all, I return from my Writer Cave bearing good news. I know, I know, not the first time returning, nor will it be the last, I’m sure. Blame it on an overwhelming drive to finish up this novel in the face of more than two years of work. But hey, at least I’m in the closing stages of Came to Believe! Well, the last few chapters of what is ostensibly the final draft, anyway. A few more steps to go through after that, but I’ll talk more about that on Friday.
Which brings me to the topic of this post: I have a plan for this space now.
Now, don’t expect to see content as ambitious as what I’ve posted in the past. I’ve shifted priorities to focus on quality in my novels, which is rather intensive and eats up a lot of writing time, which means daily posts are just not possible. It’s sad and frustrating, but it’s reality. And at least I do have a reliable process now, after five years of searching. One of the biggest lessons of the last ten months or so has to been to trust this process and understand that it will ultimately provide, even if it seems at times to be magic. Again, I’ll talk about this more in the near future.
My current goal for this space is to provide a “home base” of sorts for my efforts, both writing and marketing. At the moment, this means a weekly post focusing on the major themes of what is beginning to look like a series. This series revolves around the Shenandoah Valley of Virginia and, more specifically, the city of Harrisonburg and towns of Dayton and Bridgewater, though other towns are represented. It’s an area that is undergoing a transformation from rural stronghold to metropolitan region, all driven by an influx of student loan money. It’s a rich vein to mine, with lots of ephemera that only shows up on the sidelines in the books but could be expanded upon with the proper time and care. That’s what I want to bring you in the weekly posts.
You can also expect a bi-weekly update on the status of my latest works and talking about my overall writing, pitching, and marketing process. These will be quicker entries, just a few hundred words to get you up-to-date.
In the meantime, I’ll also be updating my Facebook Author Page, Pinterest boards, Tsu page, and Twitter with relevant content; for example, you may see me talking about Halloween in the Shenandoah Valley here and sharing some photography from past and present Valley Halloweens over on Pinterest, all while talking about this year’s festivities on the Facebook author page.
It should be an interesting adventure, and I hope you stick around for it. More in the near future.