Summer’s End

Happy end of the month, everyone. And sort of the end of Summer, or at least “conventional” Summer, though the calendar tells us it’s not over for another 22 days or so. In my heart, Labor Day, nah, even September 1st, is the end of Summer, for September and October (and to a lesser extent November) are a sacred time for me. And it’s interesting that my creativity is usually at its peak during this time. I’m definitely looking forward to Autumn this year, as I think it will be very productive.

First of all, thoughts and prayers to everyone in Texas. I’m not usually one for demonstrative presentations of things like this (or in general), but I’ve been watching the situation with increasing horror and am looking for the best way to help out from a distance. Definitely keeping an eye on things.

On a more personal note, the theme of the last week has been “transition”. We’re now getting settled into our permanent address in Lake St. Louis, and are about three-fourths of the way through unpacking. The move is certainly feeling interminable, but I think a good push over the three-day weekend will go a long way to getting it knocked out. We also got our new licenses and registrations, along with registering to vote (very important), so we’re now officially official. It’s been a tiring process, but the relocation has been good for my psyche, and I think for Mary’s, as well.

Big news on the writing front: I finished my self-critique for Came to Believe on the evening of the 24th and soon began writing (I hope) the final draft. How’s that for transition? I’m even happy with the rewritten intro paragraphs, which is a rarity in my writing. Always trying to nail down that beginning, that’s for sure.

I’ve learned a lot from the lengthy process of writing this novel. One of my biggest writing weaknesses is getting deep into a novel and realizing that the plot scope is not quite what I had in mind, or that another plot thread would be stronger as the central pillar. Because of this weakness, I’ve had to rewrite pretty much every one of my books mid-stream, which costs me time and sanity.


With this in mind, my sincere hope moving forward is that I can nail these details in plotting and then have a clean and simple drafting process. Plotting must do the heavy lifting because we’re talking about editing 20 to 25 pages versus 300 or so once I’m fully into the novel. The plan is to run through three to five drafts of the plot up front, from the rough initial draft to increasingly structured outlines that match story beats with character information and ensure that important plot points get covered.

From there I can break it down and read through it as a “critique”, incorporate those edits, rinse and repeat with the outline, to ensure I’ve hit every beat and that no subplots are superfluous. It may take a month to get through, but again a month > a year with rewrites.

I’m already into this new process with the next book, a horror story with the premise of increasing human expansion bumping into ancient evil. Sure, it’s been done, but I think I have an interesting spin on it by including modern technology in the mix. I also want to test out some of my more surreal modes of writing through the story. The goal with this one is to be super-lean, tight, and compact. Something that can be done in a hurry and doesn’t sprawl on for 100,000 words. We’ll see if I can pull it off.

Anyway, hope everyone has a great weekend, and a long one if you’re lucky enough to get Monday off. See you next week.

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